Embody the Struggle, Evan Kuchar (2010)
Embody the Struggle, Evan Kuchar (2010)
“Chamber minimalism with electronics. Violin, clarinet, cello, bass clarinet, piano, synths, drum machines. Slowly unfolding introspection, building, climaxing, remixing.”
Embody the Struggle by evankuchar
Ground Machine, (After Purcell) Lloyd Rodgers (1984)
Ground Machine (After Purcell), Lloyd Rodgers (1984)
performed by the Cartesian Reunion Memorial Orchestra
this groundbreaking group featured compositions by Michael Bayer, Chuck Estes, Douglas Hein, William Houston, Steve Moshier, Frank Riddick, and Lloyd Rodgers. at various times, the orchestra featured musicians Jannine Livingston, harpsichord; John Glenn, bass; Lloyd Rodgers, clarinet and keyboard; Douglas Hein, acoustic guitar; Diana Halpern, violin; Joeseph Goodman, violin; and Michael Baer, violincello
http://www.lloydrodgers.com/
Paul Bailey: Retrace Our Steps (2004)
Paul Bailey: Retrace Our Steps (2004)
“Retrace Our Steps is a secular oratorio in 4 acts (2004) based on texts by Gertrude Stein, Guy Debord and Jenny Bitner. the work explores the relationships between idealism, alienation, and consumerism.”
act 4
Retrace Our Steps, Graphic Libretto
curated by david toub
Steve Moshier: Shakeout (1981)
Steve Moshier: Shakeout (1981)
performed by the legendary Cartesian Reunion Memorial Orchestra (1979-1992):
this groundbreaking group featured compositions by Michael Bayer, Chuck Estes, Douglas Hein, William Houston, Steve Moshier, Frank Riddick, and Lloyd Rodgers. at various times, the orchestra featured musicians Jannine Livingston, harpsichord; John Glenn, bass; Lloyd Rodgers, clarinet and keyboard; Douglas Hein, acoustic guitar; Diana Halpern, violin; Joeseph Goodman, violin; and Michael Baer, violincello
Steve Moshier Website
Art Jarvinen: Breaking the Chink (1993)
Art Jarvinen: Breaking the Chink (1993)
performed by Icebreaker (soprano saxophone, baritone saxophone, bass clarinet, trombone, violin, viola, electric bass, 2 electric guitars, synthesizer (or piano), 2 percussion)
Arthur Jarvinen 1956-2010 (via David Ocker/Mixed Meters)
An Art Jarvinen Portrait (via Kyle Gann/Postclassic)
Art Jarvinen website/music compositions
Douglas Hein: Orlando, He Dead (1985)
Douglas Hein: Orlando, He Dead (1985)
Orlando, Orlando, he dead, he dead, Orlando, he dead.Josquin, Johann, Amadeus, Ludwig, they dead, they dead, all them guys they dead.Buddy H., Brian J., Mama C. Karen C., they dead, they dead, all them guys, the dead.La, la, la …And when your dead your dead forever,forever, forever, foreverYou don’t go live no more,no more, no more, no more.You be dead more long than live‘Cuz when your dead your dead forever,Forever, forever, forever.Some day me be dead,Some day you be dead,Some day me be dead,Some day you be dead,All us guysWe deadLa, la, la ….
performed by the Cartesian Reunion Memorial Orchestra
this groundbreaking group featured compositions by Michael Bayer, Chuck Estes, Douglas Hein, William Houston, Steve Moshier, Frank Riddick, and Lloyd Rodgers. at various times, the orchestra featured musicians Jannine Livingston, harpsichord; John Glenn, bass; Lloyd Rodgers, clarinet and keyboard; Douglas Hein, acoustic guitar; Diana Halpern, violin; Joeseph Goodman, violin; and Michael Baer, violincello
DJ Wolf at renewable music (June 2005)
“Sometimes the internet is a wonderful place. Composer Paul Bailey has just put up an mp3 of Doug Hein’s Orlando he dead, one of my favorite pieces from the repertoire of the legendary Cartesian Memorial Reunion Orchestra (a semi-situationist, semi-electric chamber ensemble in the grand style of LA in the 80’s). Hein’s piece is one of the few vocal works in the Cartesian ’s repertoire, with the only lyric I know of that meaningfully includes both Orlando di Lasso and Mama Cass. It’s also one of the very few genuinely funny works of recent modern music. But more importantly, it’s an example of exquisite counterpoint and near-counterpoint and fake renaissancery.”
text and music by Douglas M. Hein
curated by Paul Bailey
Michael Nyman: An Eye for Optical Theory (1982)
Michael Nyman: An Eye for Optical Theory (1982)
Originally composed for the Peter Greenaway film The Draughtsman’s Contract based on a round attributed by William Croft. performed and arranged by the PBE (Paul Bailey Ensemble)
curated by paul bailey
Lloyd Rodgers – Draw Me A Sheep (1986)
Lloyd Rodgers: Draw Me A Sheep (1968)
from the “the little prince” (a ballet in two acts)
performed by the Cartesian Reunion Memorial Orchestra
curated by Jim Perkins
Frank Riddick: Nea Praxis
performed by: Cartesian Reunion Memorial Orchestra (1979-1992)
this groundbreaking group featured compositions by Michael Bayer, Chuck Estes, Douglas Hein, William Houston, Steve Moshier, Frank Riddick, and Lloyd Rodgers. at various times, the orchestra featured musicians Jannine Livingston, harpsichord; John Glenn, bass; Lloyd Rodgers, clarinet and keyboard; Douglas Hein, acoustic guitar; Diana Halpern, violin; Joeseph Goodman, violin; and Michael Baer, violincello
curated by: paul bailey
William Houston: …fulfillment (1982)
from an email by William Houston:
“As I recall, I was listening to a lot of Bruckner at the time. The piece was also influenced by a Michael Bayer piece which I can’t recall the name of at the moment. Maybe Lloyd (Rodgers) remembers. Anyway, the piece was originally called “I Can’t Get no Fulfillment” which words we would occasionally sing in concert (I think). It’s been a long time…”
Michael Bayer: Law and Order (1983)
Michael Bayer: Law and Order (1983)
law and order is based on a 1983 event in which artists sprayed political slogans over advertisements in the new york city subway and was originally performed ad-nausea by the cartesian reunion memorial orchestra (1982-1988)
Steve Moshier: Shadow Boy (1981)
Steve Moshier: Shadow Boy (1981)
“the cartesian reunion memorial orchestra (crmo) was formed in 1979 by 8 composer/performers to spread joy and happiness to the musical world. the ensemble, the major autonomous collective in los angeles, performed over 100 concerts from 1979-1992 throughout so. cal. collaborating with major dance companies, theatre groups and performance artists. this historic compilation of studio recordings captures the power and essence of the seminal ensemble and the energy that was in LA in the 80′s”
Douglas Hein: Orlando He Dead (1985)
from renewable music (June 2005)
“Sometimes the internet is a wonderful place. Composer Paul Bailey has just put up an mp3 of Doug Hein’s Orlando he dead, one of my favorite pieces from the repertoire of the legendary Cartesian Memorial Reunion Orchestra (a semi-situationist, semi-electric chamber ensemble in the grand style of LA in the 80′s). Hein’s piece is one of the few vocal works in the Cartesian ‘s repertoire, with the only lyric I know of that meaningfully includes both Orlando di Lasso and Mama Cass. It’s also one of the very few genuinely funny works of recent modern music. But more importantly, it’s an example of exquisite counterpoint and near-counterpoint and fake renaissancery.”
Cartesian Reunion Memorial Orchestra (1979-1992)
this groundbreaking group featured compositions by Michael Bayer, Chuck Estes, Douglas Hein, William Houston, Steve Moshier, Frank Riddick, and Lloyd Rodgers. at various times, the orchestra featured musicians Jannine Livingston, harpsichord; John Glenn, bass; Lloyd Rodgers, clarinet and keyboard; Douglas Hein, acoustic guitar; Diana Halpern, violin; Joeseph Goodman, violin; and Michael Baer, violincello
