Archive for November, 2011

Dave Seidel (Mysterybear), Following a Line Part II (2011)

Dave Seidel (Mysterybear), Following a Line Part II (2011)

Dave Seidel (Mysterybear), Following a Line Part II (2011)

“Another improv, this one for the ImprovFriday Jan. 13-15 session. Auduino, FM2 and FM3 Buddha Machines, Memory Man delay box, MoogerFooger ring modulator. Trimmed at the beginning and end.

This track is also available as part of the “Following A Line” release on the mysterybear netlabel:”

download at archive.org

Following A Line (part 2) by mysterybear

http://mysterybear.net/
http://soundcloud.com/mysterybear


Wash 2 – James Ross (2010)

Wash 2 – James Ross (2010)

Wash 2 – James Ross (2010)

Download mp3

James Ross is a Brooklyn, NY-based composer and performer who writes music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of Chinese lute). He has also performed and recorded electronic and improvised music. I find his most compelling work to be reflective looped ambient pieces, of which ‘Wash 2′ is an excellent example.

Ross’ music unfolds slowly into an introspective space that carries the listener along on a gentle current of soft sounds and textures. Even at its full 25 minutes ‘Wash 2′ seems short – the music is fully engaging the entire time.


Embody the Struggle, Evan Kuchar (2010)

Embody the Struggle, Evan Kuchar (2010)

Embody the Struggle, Evan Kuchar (2010)

“Chamber minimalism with electronics. Violin, clarinet, cello, bass clarinet, piano, synths, drum machines. Slowly unfolding introspection, building, climaxing, remixing.”

Embody the Struggle by evankuchar

Evan Kuchar, Website

 


C. J. Boyd: Dynamos/Scrumpin’ (2006)

C. J. Boyd: Dynamos/Scrumpin’ (2006)

C. J. Boyd: Dynamos/Scrumpin’ (2006) (right click to download)

“This is a song from my “minor label debut”, The Greatest Weight, released by Sounds Are Active in 2006. Having been performing live with a loop pedal for a few years, I started writing more songs with that in mind. But I didn’t like the idea of using the loop pedal to record. So I actually played everything all the way through, even the really repetitive parts. This song became a kind of zen practice. It’s so much harder to play the same 6 notes over and over for 10-15 minutes than it is to rip a gnarly solo for the same amount of time.  The recording process took ages, but it was so methodical and centering. “

http://cjboyd.bandcamp.com/
http://www.cjboyd.com/